The Dig



Abstract landscape painting with rolling hills, a solitary tree, and layered fields in muted greens, creams, blues, and warm earth tones beneath a soft sky. The flowing forms evoke memory, changing landscapes, and the passage of time.

I stood at the glass door, watching.

Beyond the stone deck
and the birdhouse

two delicate blue eggs

lay nestled atop carefully arranged

blades of grass.

The field beyond the fence

was bright with spring.

A tree named Walter
lifted its branches into the morning.

Every tree within daily view
should have a name.

A dog bred to bear burdens

wandered lazily through the grass,

distracted by an over-dramatic cardinal

or maybe the way

the breeze had begun to smell like
spring.

The coffee in my mug tasted faintly
of hazelnut and milk.

Scrambled eggs cooled on a plate.

Cologne drifted through the kitchen.

The juice from a red grape
slid down the back of my throat.

The field was busy with singing.

Not birds alone.

Something larger.

Something hidden.

The busyness of all that toils
moved through the grass
like wind moving through
tousled hair
or waves crossing the sea.

At the time,
I thought the field would always be there.
The eggs.
The cardinal.
Walter.
The dog.
The glass door.
The man standing somewhere behind me.

Months later

he disappeared.

Then the seasons continued
one second
one hour
one page
at a time


Summer crossed the field.

Autumn followed.

Winter bent the grass flat.

One afternoon

I found myself standing
on the opposite side of the same field.

Far beyond the fence.

Far beyond the glass door.

Far beyond the woman

who used to stand in that kitchen

and watch.

The singing was gone.

The grass was gone.

The hill itself

seemed smaller.

Yellow machines moved through the earth
lifting,
turning,
leveling.

Steel teeth entered the ground.

Mud spread where pasture had been.

The field I remembered
was being dismantled
one scoop at a time.

A subdivision would stand there soon.

Roads.
Mailboxes.
Driveways.

Children who would never know
there had once been a field.

I watched for a long time.

Long enough for the machines
to continue their sweaty work.

Long enough to notice
that
Walter was still standing.

Long enough to realize
that I was no longer looking
at the same landscape.

Or from the same place.

Or through the same eyes.

The field stretched between
what had happened

and what remained.

I stood,

watching the earth being turned over,
feeling the soil being turned over,
tasting the smoke and smothering



just a little.

“What if I take one step backward?”

I wondered.



“One more,”

I whispered. 



Artifacts churned

deep and then deeper

burying and then
buried.



And I drove away
waving to Walter

in the rearview mirror.

—Iris Lennox