Tag: Free Verse

  • The Dig


    Abstract landscape painting with rolling hills, a solitary tree, and layered fields in muted greens, creams, blues, and warm earth tones beneath a soft sky. The flowing forms evoke memory, changing landscapes, and the passage of time.
    I stood at the glass door, watching.
    
    Beyond the stone deck
    and the birdhouse
    
    two delicate blue eggs
    lay nestled atop carefully arranged
    blades of grass.
    
    The field beyond the fence
    was bright with spring.
    
    A tree named Walter
    lifted its branches into the morning.
    
    Every tree within daily view
    should have a name.
    
    A dog bred to bear burdens
    wandered lazily through the grass,
    
    distracted by an over-dramatic cardinal
    
    or maybe the way
    the breeze had begun to smell like
    spring.
    
    The coffee in my mug tasted faintly
    of hazelnut and milk.
    
    Scrambled eggs cooled on a plate.
    
    Cologne drifted through the kitchen.
    
    The juice from a red grape
    slid down the back of my throat.
    
    The field was busy with singing.
    
    Not birds alone.
    
    Something larger.
    
    Something hidden.
    
    The busyness of living
    moved through the grass
    like wind moving through
    tousled hair
    or waves crossing the sea.
    
    At the time,
    I thought the field would always be there.
    The eggs.
    The cardinal.
    Walter.
    The dog.
    The glass door.
    The man standing somewhere behind me.
    
    Months later
    he disappeared.
    
    Then the seasons continued
    one second
    one hour
    one page
    at a time.
    
    Summer crossed the field.
    Autumn followed.
    Winter bent the grass flat.
    
    One afternoon
    
    I found myself standing
    on the opposite side of the same field.
    
    Far beyond the fence.
    
    Far beyond the glass door.
    
    Far beyond the woman
    who used to stand in that kitchen
    and watch.
    
    The singing was gone.
    
    The grass was gone.
    
    The hill itself
    seemed smaller.
    
    Yellow machines moved through the earth
    
    lifting,
    turning,
    leveling.
    
    Steel teeth entered the ground.
    
    Mud spread where pasture had been.
    
    The field I remembered
    was being dismantled
    one scoop at a time.
    
    A subdivision would stand there soon.
    
    Roads.
    Mailboxes.
    Driveways.
    
    Children who would never know
    there had once been a field.
    
    I watched for a long time.
    
    Long enough for the machines
    to continue their sweaty work.
    
    Long enough to notice that
    Walter was still standing.
    
    Long enough to realize
    that I was no longer looking
    at the same landscape.
    
    Or from the same place.
    Or through the same eyes.
    
    The field stretched between
    what had happened
    
    and what remained.
    
    I stood,
    
    watching the earth being turned over,
    feeling the soil being turned over,
    tasting the smoke and smothering
    
    just a little.
    
    "What if I take one step backward?"
    I wondered.
    
    "One more,"
    I whispered.
    
    Artifacts churned
    deep and then deeper
    burying and then
    buried.
    
    And I drove away
    waving to Walter
    in the rearview mirror.
    
    — Iris Lennox