Tag: Arizona Desert Poem

  • Overlook


    Three miles out,
    three miles back.

    A reasonable bargain.

    A narrow trail
    threading through stone,

    switchback after switchback,

    until the canyon opens
    without warning

    and the earth falls away.

    I stand there awhile
    kicking tiny pebbles
    just to see
    how far
    they will fall

    or how far I would
    before I step back.

    I sip filtered water
    in peace
    as a lizard does pilates
    against a tuft of pine needles.

    Lizards seem too busy
    for their own good.

    "Relax, have some water,"

    I advise
    as I drip some drops
    his way.

    I adjust my daypack and
    read the small sign
    bolted into the rock.

    The sort of ordinary things
    people do
    when they have arrived.

    Then I turn around
    and walk the trail
    from a new perspective
    before leaving the canyon.

    Or rather,

    my body left.

    My attention
    stayed.

    Days later,
    while folding laundry,

    a ridge appeared
    in the curve of a bedsheet.

    Weeks later,

    a line of shadow
    crossing a parking lot
    became the canyon wall
    at dusk.

    The smell of warm stone.

    The cry of a raven.

    The blue
    that picks you up
    and introduces you to
    heaven
    just before evening.

    I have been home
    for a month.

    The canyon apparently
    pays no attention to distance.

    It keeps turning up

    in laundry,

    in shadows,

    in the space between
    one thought
    and the next.

    For instance,

    Do the mules
    appreciate the view?

    And what became
    of that lizard?

    Did he finish
    his exercises?

    Did anyone else
    give him a puddle?

    Now, as I watch the rain
    fall outside my Missouri window
    I suspect

    an overlook is simply
    a place

    where we can see more
    than we did before.

    —Iris Lennox
  • Borrowed Earth


    At the bathroom mirror
    of a rented casita
    somewhere in Flagstaff,
    I discover
    half the desert
    came home with me.

    Red dust
    gathers along my collar,
    settles into the seams
    of my brown canvas backpack,
    which used to be cream-colored,
    and fills the tiny crease
    above my sock line
    where the trail
    outsmarted me.

    When I untie my boots,
    sand pours
    onto ceramic tile
    in two soft cones.

    The room suddenly feels
    like a painting,
    “Composition of Woman
    and Borrowed Earth.”

    Juniper pollen
    clings to the cuffs
    of my sleeves.

    There’s grit
    beneath my fingernails,
    iron-rich and stubborn,
    the color of old brick
    after rain.

    OPI might name it
    Jazz Hands In the Desert.

    I touch my scalp
    and feel dust there too,
    worked deep into my hair
    through wind,
    sweat,
    sunlight,
    and twelve miles
    of canyon trail.

    Good.

    Today earned its right
    to linger a little longer.

    Some people
    spend all day
    trying not to stain themselves.

    I understand the instinct.

    There are white couches.
    Important emails.
    Polished shoes.
    Entire industries
    built around remaining untouched.

    But somewhere between
    mile four
    and the moment
    I sat directly on a warm rock
    without checking
    for dust,
    my body remembered
    something older
    than neatness.

    Children know it first.

    Mud puddles.
    Finger paint.
    Grass stains.

    At one point
    I crouched low
    to photograph
    a cluster of desert marigolds
    forcing themselves
    through fractured stone.

    When I stood again,
    one palm carried sap,
    and a line of sweat
    ran slowly
    from my neck
    down the center
    of my spine.

    Perfect.

    By late afternoon,
    my shoulders glowed pink,
    my lips tasted faintly
    of salt and sunscreen,
    and every object
    inside my backpack
    had acquired
    the thin orange film
    of Arizona.

    Even the map.

    Especially the map.

    I ate trail mix
    with dusty fingers
    and decided
    the extra crunch
    only improved it.

    Somewhere near the ridge,
    a woman passing me said,
    “Beautiful day.”

    Then both of us
    kept walking
    without needing
    to improve
    upon the sentence.

    There's nothing important
    to say
    out there.
    Beauty speaks
    and we simply listen.

    And feel.
    And I'm convinced—

    The body experiences
    some landscapes
    on a cellular level.

    Scientists eventually
    gave the phenomenon
    a long Latin name
    after discovering
    certain microorganisms
    in the soil
    can calm the nervous system.

    Mycobacterium vaccae.
    But I think we should call it
    thereasonpeoplecry
    when kneeling in the dirt.

    Meanwhile,
    every child
    who ever came home
    with muddy shoes
    was already conducting
    the experiment.

    Back at the casita,
    the sink runs briefly
    orange-brown
    when I wash my hands.

    Dust circles the drain.

    I pull one sock
    inside out
    and enough sand falls free
    to start a small dune
    beside the bathmat.

    I hope my Airbnb rating
    doesn't take a hit.

    The shower waits.

    Still,
    I linger a moment longer
    in the mirror,
    sun-tired,
    windblown,
    grinning slightly
    at the woman
    standing there
    with desert
    still gathered
    in every visible place.

    Tonight,
    Arizona leaves slowly.

    One grain at a time.

    —Iris Lennox
    This poem appears in The Giving of Weight.