Tag: Narrative Poetry

  • Clara



    The first time Jack asked
    why I never had children,

    we were sitting by the front window
    of a little coffee shop
    where the floorboards bowed
    slightly toward the door
    and every time someone came in,
    a brass bell
    interrupted every conversation.

    It was late November.

    The kind of afternoon
    when the sky can’t decide
    whether to snow
    or watch the birds
    begin their migration
    for warmer states.

    I remember because
    my coat was still on
    and my tea had gone untouched,

    steam lifting
    in thin pale ribbons
    between us,

    curling past his hands.

    His cup was black.

    Mine was chipped cream,

    a small crescent missing
    from the handle
    where someone before me
    had held on too tightly
    or not tightly enough.

    Life is that way, isn’t it?

    There is more than one way
    to break a thing.

    Outside,

    a young mother
    pushed a stroller past the glass,

    one mitten in her teeth,
    one shoelace loose,
    her little boy turned backward
    so he could watch
    something he’d already passed
    on the pavement
    but wasn’t done admiring.

    Probably a bug.

    Little boys tend to linger
    over bugs.

    Then Jack asked,

    Why haven’t you had children?

    Not suddenly.

    Not heavily.

    As though he were asking
    whether I preferred blue
    to red,

    or hardcovers
    to paperbacks,

    or why I always chose
    the corner seat
    facing the door.

    I smiled first.

    People do that
    when the body
    is buying time.

    I wrapped both hands
    around the mug,

    felt warmth press
    into the center of my palms,

    and said
    what had become
    second nature by then—

    The Lord just hasn’t given us children.
    We tried for a long time.
    It never happened.

    Jack lowered his eyes
    for just a moment,

    thumb brushing
    against the folded edge
    of his sleeve,

    as though what I’d handed him
    required care.

    Then he looked up
    and smiled
    through two pauses
    and a beat.

    You would have made
    a wonderful mother.

    And something in me,
    quiet for years,
    sat up.

    Or maybe tripped?

    A hinge.

    A draft.

    A room
    I thought
    I'd already closed.

    After that,

    life kept happening.

    Conversations
    that began with nothing—

    music,

    students,

    road construction,

    the shape of clouds—

    and before I understood
    how far we’d traveled,

    the man who first asked
    why I’d never had children

    was speaking
    as though he already knew
    what ours might look like.

    Months later,

    there were little white pills
    lined up
    beside my bathroom sink,

    half a cracker,

    a glass of water,

    the morning moving slowly
    through the blinds.

    And still—

    Jack spoke of blue eyes.

    A crooked smile.

    Long fingers.

    A laugh
    that would sound
    like mine.

    And somewhere
    between longing
    and nausea
    from the pills
    meant to keep her away,

    our daughter
    had a name.

    Clara.

    I said it once
    alone in my kitchen,

    bare feet on tile,

    the dishwasher humming,

    afternoon light
    moving across the counter
    so slowly
    it looked like a memory.

    Now when I think of her,

    I don’t see a child.

    I see steam.

    A chipped handle.

    A shoelace
    dragging through November.

    And a man
    who looked
    like winter sunlight—

    warm enough
    to trust,

    cold enough
    to leave.

    —Iris Lennox
  • Question in the Sand


    This version of “Question in the Sand” appears in my collection, The Giving of Weight.

    A man kneels at the edge of the tide

    and writes

    WHY

    with one finger.

    The letters are large enough
    to be read from a distance,
    which seems ambitious.

    A message for pirates?
    For God?

    The sea,
    having answered
    several million questions already,

    continues
    with its own business.

    A wave approaches.

    Changes its mind.

    Returns to conference
    with the horizon.

    The man stands.

    His knees complain
    and then recover.

    He studies the word.

    The word studies him.

    Neither appears satisfied.

    Years have altered him
    in practical ways.

    His hair,
    for example,

    once committed fully
    to black.

    Now it negotiates.

    The wind participates.

    A gull lands nearby.

    It contributes nothing.
    Maybe because it can’t read.

    Another wave enters the discussion.

    The W loses a corner.

    The H remains confident.

    The Y,
    for reasons unknown,
    looks wounded.

    A woman appears.

    She carries her shoes
    with one hand.

    The other swings
    at her side.

    “How did you find me?”
    he asks.

    The question seems misplaced.

    She looks at the sand.

    At the sea.

    At the gull.

    At the word.

    “I wasn’t looking.”

    This answer lasts
    slightly longer
    than the W.

    The tide advances.

    The gull departs.

    The horizon keeps
    its own counsel.

    Together they walk north
    while the sea
    works patiently
    through the alphabet.

    —Iris Lennox