Tag: Belonging

  • The Museum Bench


    I took this photo at the Saint Louis Art Museum. The poem gathers moments from several galleries rather than describing this exact scene.

    The bench waits
    in the Saint Louis Art Museum,

    brown leather
    stitched into broad squares,

    creased by coats and palms,
    its low frame
    square to the wall.

    A woman sits first.

    Across from her,
    a field of yellow wheat
    leans beneath a green sky.

    She looks at it
    until she is eight again,

    standing beside her father
    while grasshoppers strike
    the cuffs of his faded blue jeans.

    A boy hops and then runs in
    dragging one shoelace.

    He climbs beside her
    and points at the clouds.

    That one looks angry.

    His mother reads the plaque
    and tells him the painter
    died in 1890.

    The boy tilts his head to the right.

    He was angry that he died?

    At the other end,
    a man removes his glasses

    and polishes them
    with the corner of his white shirt.

    He tells me he has come
    for the renaissance,
    That's three rooms away,
    I say

    but he stops here.

    The woman beside him
    is wearing a red blouse and a black skirt
    and a perfume
    that I remember.

    He must remember it too.

    He steps toward her.

    Neither of them speaks.

    Their sleeves touch once
    when they lean forward—
    red and white
    and so pink.

    Across the room,
    a man takes a picture
    with his phone.

    The painter’s thumbprint is here!

    His voice echoes
    around the room,
    and I try to remember
    the last time I was that excited

    about anything.

    The guard walks past
    with his hands behind his back.

    Another bench
    holds a couple in silence—
    the kind of silence
    that twirls her hair
    and swings his ankle,

    two men whisper in the corner,

    a question about God,

    half an argument,

    and a truce
    after one of them says,

    My wife loved this one.

    After a respectable time,
    everyone rises
    like popcorn—
    not like a wave.

    The paintings remain stoic
    or maybe they sigh
    inside their frames.

    Once you're created
    in paint
    must you always be
    be performing?

    The bench where I sat
    seems to linger on the image
    I left—

    of a woman who has heard
    and seen
    and carried
    and forgiven
    a million stories
    but has no one to tell.

    —Iris Lennox