Tag: Nature Writing

  • Small Mercies


    Close-up of brittlebush in a desert wash with yellow blooms and drifting seed heads, accompanying a desert poem by Iris Lennox.
    I crouch beside a dusty wall
    where last season’s brittlebush
    has split open in the heat.

    The seed heads crumble easily
    between my fingers.

    Hundreds loosen at once—

    thin husks,
    needle-fine,
    the color of clay
    after rain trips across
    this foreign land.

    The desert keeps everything small.

    Small leaves.
    Small flowers.
    Small mercies.

    Even the seeds know
    not to ask for too much water.

    Wind moves through creosote
    carrying that sharp green smell
    released after stormlight.

    I gather the seeds carefully
    into a small red handkerchief
    while gravel presses through
    the knees of my jeans.

    Nearby,
    a barrel cactus
    leans sunlight back into the air.

    A curve of lizard tracks
    crosses the sand
    then disappears beneath stone.

    I walk farther into the wash
    where runoff carved narrow channels
    through the earth last monsoon season.

    This is where things take root.

    Not at the top
    where the ground hardens clean and proud,

    but lower—

    where floodwater leaves behind
    what it carried.

    I press the seeds
    into damp pockets of soil
    hidden beneath mesquite shade.

    One handful here.

    Another farther down
    where the sand still holds
    last night’s coolness.

    The wind lifts again.

    One seed catches briefly
    against my wrist.

    Another disappears immediately
    into open country.

    For weeks
    nothing changes.

    Heat gathers.

    Light whitens the stones.

    Cicadas grind the afternoons open.

    Then one morning—

    green.

    So small at first
    I nearly miss it.

    Two leaves lifting
    through grit.

    Then more.

    The land begins filling slowly
    with yellow blooms
    no larger than coins.

    Bees arrive in straight lines
    and swirls.

    Then hummingbirds.

    Then a woman
    walking her old shepherd
    stops beside the flowers
    and smiles at a stranger
    crossing the trail.

    —Iris Lennox
    This poem appears in The Giving of Weight.
  • Wars and Rumors


    There must have been mornings
    in 1351
    as the Black Death
    draped across landscapes and
    eyelids
    like a thick shroud

    when a mother
    opened her shutters
    to another cart,

    another bell,

    another street
    that smelled of smoke
    and vinegar
    and thought,

    surely

    this is how
    the world ends.

    Men standing
    on the beaches
    of Normandy
    in 1944,

    sand grinding
    between their teeth,

    salt on their lips,

    seawater
    inside their boots,

    diesel, smoke,
    and cordite
    marrying the wind,

    helmets knocking
    against trembling shoulders,

    watching boys
    become bodies
    before breakfast,

    must have wondered
    whether heaven
    had finally
    grown tired of us all.

    And in 1945
    somewhere
    beneath the ash
    of the
    atomic bombings of
    Hiroshima and Nagasaki,

    where shadows
    stayed behind
    long after people had gone,

    someone looked upward
    through a sky
    that probably looked more like
    a concrete dome

    and thought,

    this time—

    surely.

    Surely.

    And then,
    one day—

    John

    an old exile
    on an island
    looked up

    and saw

    a lamb

    standing

    as though slain.

    He saw seals
    split open.

    He heard trumpets.

    Watched stars
    fall like figs
    from a shaken tree
    and oceans darken.

    Mountains moved.

    Creatures
    with eyes
    pressed into their feathers
    like dew
    on spring grass,
    seeing forward,
    backward,
    inward,
    through things
    men call mysteries—

    And still—

    this morning,
    2026

    a woman
    in Missouri

    stands barefoot
    at her kitchen sink,
    watching squirrels
    and robins
    tumble through
    grass and mud,

    the coffee pot gurgles
    and sighs,

    sunlight,
    with a long list of to-dos
    does
    what it always has
    through green leaves,

    a sparrow
    argues with a cardinal
    over spilt seed.

    What is inside this moment?
    The past?
    The future?
    Only now?

    Yes.

    The moment of calm.
    After and
    before
    the storm.

    —Iris Lennox